Shriram Hasabnis
Shriram Hasabnis is one of India’s leading harmonium exponents, renowned for his remarkable expertise and graceful artistry. For over twenty-five years, he has been a consistent presence at prestigious national music conferences and festivals, captivating audiences with both his solo and accompaniment performances.
Born into a family of musicians, Shriram's musical journey began under the guidance of his father, Shri Suresh Hasabnis, who nurtured his innate talent from an early age. He later received formal training in Hindustani classical vocal music from the late Pandit G. V. Dandekar, a senior exponent of the Gwalior Gharana, and further deepened his understanding under Sangeetacharya Pandit D. V. Kanebuwa of Ichalkaranji.
A turning point in his musical development came when he became a senior disciple of the legendary Padmashri Pandit Tulsidas Borkar, one of India’s greatest harmonium maestros. Under the rigorous discipline of the Guru-Shishya Parampara, Shriram mastered the harmonium as a solo and accompaniment instrument at the highest level.
Shriram has accompanied numerous stalwarts of Hindustani classical music at premier festivals across India and abroad, including on national broadcasts by All India Radio. Some of the great legends he has accompanied include Ganasaraswati Kishori Amonkar, Pandita Girija Devi, Pandit Kishan Maharaj, and Padmashri Pandit Ulhas Kashalkar, among many others.
In addition to being a sought-after accompanist, Shriram is increasingly celebrated for his solo harmonium recitals, where he brings out the melodic depth and expressive range of the instrument, engaging audiences with his refined technique and creative phrasing.
He is currently empaneled as a Guru at Lalit Kala Kendra, Pune, and Pt. Bhimsen Joshi Adhyasan of Savitribai Phule Pune University, where he mentors students in the art of harmonium playing. His lecture-demonstrations and workshops on the “Techniques and Styles of Harmonium Playing” have become essential learning experiences for serious students and enthusiasts of Indian classical music.
Key Performances Include:
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Sawai Gandharva Sangeet Mahotsav, Pune
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Tansen Festival, Gwalior
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Nehru Centre and NCPA, Mumbai
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Sangeet Samrat Alladiya Khan Festival, Mumbai
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Rashtrapati Bhavan, New Delhi
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Habitat Centre & India International Centre, New Delhi
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Dover Lane Music Conference, Kolkata
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Saptak Festival, Ahmedabad
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The Music Academy, Chennai
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World Music Festival, Jaipur
Sanjeevani Hasabnis
Sanjeevani Hasabnis is one of the rare and accomplished female percussionists in Indian classical music, passionately committed to preserving and promoting the rich legacy of the Tabla tradition. Her journey began at a young age, driven by an innate passion for rhythm and sound, which led her to immerse herself in the intricate art of tabla playing.
She began her foundational training under the legendary Pandit Ganapatrao Kavthekar, a senior stalwart of the Farukhabad-Lucknow gharana and disciple of Ustad Munir Khan Saheb and Ustad Jahangir Khan Saheb. Under his guidance, Sanjeevani absorbed the depth of traditional compositions and the aesthetic nuances of the tabla. After his passing, she continued her training under Pandit Suresh (Bhai) Gaitonde, and later further refined her skills with Padmashri Taalyogi Pandit Suresh Talwalkar, deepening her command over rhythm and performance. She is currently receiving training from Dr. Aneesh Pradhan, one of India’s leading tabla exponents and scholars.
Her remarkable talent has been recognized with several accolades, including the prestigious "Ustad Thirakwa Baaj" award at the Gunidas Tabla Competition,Mumbai.
In addition to her excellence in percussion, Sanjeevani is also a trained vocalist. She received classical vocal training under Sangeetacharya Pandit D. V. Kanebuwa of Ichalkaranji. This dual expertise has helped her evolve as a well-rounded musician. Her vocal artistry was recognized in her performance as a lead in the Marathi Sangeet Natak “Sangeet Sharada”, for which she was honored with the Best Singer-Actress Award by Maharashtra Rangayan, New Delhi.
Alongside her musical pursuits, Sanjeevani also maintains a career in the IT industry in Pune, balancing both disciplines with remarkable dedication and discipline for over a decade.
Notable Performances
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Sawai Gandharva Sangeet Mahotsav, Pune
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Sangeet Sabha, Udupi
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Art Circle, Belgaon
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Cultural Committee, Manipal
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Suranjan, Mumbai
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Pt. Sudhirkumar Saxena Memorial Baithak, Mumbai
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P. L. Deshpande Foundation at NCPA, Mumbai
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Swar Sadhana, Baroda
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Komal Nishad, Vadodara
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Sur Mandal, Hyderabad
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Dadar Matunga Cultural Center, Mumbai
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Hridayesh Arts, Mumbai
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Pt. Ram Marathe Smruti Samaroh, Thane
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Malhar Festival, Nehru Center, Mumbai
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Kala Bharati and Khayal Trust, Mumbai
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Sadhana Kala Manch, Pune
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Pt. Balkrishna Buwa Ichalkaranjikar Festival, Ichalkaranji
About Naad-Dwayee Instrumental Duo
Naad-Dwayee is a rare and engaging instrumental solo concert that brings together the rich traditions of Tabla and Harmonium, presented in their purest classical form. While both instruments are often known for their role in accompaniment, this concert highlights their independent artistic expression through carefully curated solo performances.
The Tabla segment showcases traditional compositions that hold deep historical and aesthetic significance, reflecting the legacy of esteemed Gharanas. These timeless works are preserved and presented with authenticity and reverence.
Though often perceived primarily as an accompanying instrument, the Harmonium reveals its melodic depth and expressive potential in this concert, offering listeners a captivating journey through Raga-based improvisations and stylistic nuance.
What makes Naad-Dwayee truly distinctive is the interactive narration by the artists, who guide the audience through the performance with insightful commentary—enhancing the listening experience and deepening appreciation for the art form.